The International Literary Quarterly
Contributors

Shanta Acharya
Marjorie Agosín
Donald Adamson
Diran Adebayo
Nausheen Ahmad
Toheed Ahmad
Amanda Aizpuriete
Baba Akote
Elisa Albo
Daniel Albright
Meena Alexander
Rosetta Allan
María Teresa Andruetto
Innokenty Annensky
Claudia Apablaza
Robert Appelbaum
Michael Arditti
Jenny Argante
Sandra Arnold
C.J.K. Arkell
Agnar Artúvertin
Sarah Arvio
Rosemary Ashton
Mammed Aslan
Coral Atkinson
Rose Ausländer
Shushan Avagyan
Razif Bahari
Elizabeth Baines
Jo Baker
Ismail Bala
Evgeny Baratynsky
Saule Abdrakhman-kyzy Batay
Konstantin Nikolaevich Batyushkov
William Bedford
Gillian Beer
Richard Berengarten
Charles Bernstein
Ilya Bernstein
Mashey Bernstein
Christopher Betts
Sujata Bhatt
Sven Birkerts
Linda Black
Chana Bloch
Amy Bloom
Mary Blum Devor
Michael Blumenthal
Jean Boase-Beier
Jorge Luis Borges
Alison Brackenbury
Julia Brannigan
Theo Breuer
Iain Britton
Françoise Brodsky
Amy Brown
Bernard Brown
Diane Brown
Gay Buckingham
Carmen Bugan
Stephen Burt
Zarah Butcher McGunnigle
James Byrne
Kevin Cadwallander
Howard Camner
Mary Caponegro
Marisa Cappetta
Helena Cardoso
Adrian Castro
Luis Cernuda
Firat Cewerî
Pierre Chappuis
Neil Charleton
Janet Charman
Sampurna Chattarji
Amit Chaudhuri
Mèlissa Chiasson
Ronald Christ
Alex Cigale
Sally Cline
Marcelo Cohen
Lila Cona
Eugenio Conchez
Andrew Cowan
Mary Creswell
Christine Crow
Pedro Xavier Solís Cuadra
Majella Cullinane
P. Scott Cunningham
Emma Currie
Jeni Curtis
Stephen Cushman
David Dabydeen
Susan Daitch
Rubén Dario
Jean de la Fontaine
Denys Johnson Davies
Lydia Davis
Robert Davreu
David Dawnay
Jill Dawson
Rosalía de Castro
Joanne Rocky Delaplaine
Patricia Delmar
Christine De Luca
Tumusiime Kabwende Deo
Paul Scott Derrick
Josephine Dickinson
Belinda Diepenheim
Jenny Diski
Rita Dove
Arkadii Dragomoschenko
Paulette Dubé
Denise Duhamel
Jonathan Dunne
S. B. Easwaran
Jorge Edwards
David Eggleton
Mohamed El-Bisatie
Tsvetanka Elenkova
Johanna Emeney
Osama Esber
Fiona Farrell
Ernest Farrés
Elaine Feinstein
Gigi Fenster
Micah Timona Ferris
Vasil Filipov
Maria Filippakopoulou
Ruth Fogelman
Peter France
Alexandra Fraser
Bashabi Fraser
Janis Freegard
Robin Fry
Alice Fulton
Ulrich Gabriel
Manana Gelashvili
Laurice Gilbert
Paul Giles
Zulfikar Ghose
Corey Ginsberg
Chrissie Gittins
Sarah Glazer
Michael Glover
George Gömöri
Giles Goodland
Martin Goodman
Roberta Gordenstein
Mina Gorji
Maria Grech Ganado
David Gregory
Philip Gross
Carla Guelfenbein
Daniel Gunn
Charles Hadfield
Haidar Haidar
Ruth Halkon
Tomás Harris
Geoffrey Hartman
Siobhan Harvey
Beatriz Hausner
John Haynes
Jennifer Hearn
Helen Heath
Geoffrey Heptonstall
Felisberto Hernández
W.N. Herbert
William Hershaw
Michael Hettich
Allen Hibbard
Hassan Hilmi
Rhisiart Hincks
Kerry Hines
Amanda Hopkinson
Adam Horovitz
David Howard
Sue Hubbard
Aamer Hussein
Fahmida Hussain
Alexander Hutchison
Sabine Huynh
Juan Kruz Igerabide Sarasola
Neil Langdon Inglis
Jouni Inkala
Ofonime Inyang
Kevin Ireland
Michael Ives
Philippe Jacottet
Robert Alan Jamieson
Rebecca Jany
Andrea Jeftanovic
Ana Jelnikar
Miroslav Jindra
Stephanie Johnson
Bret Anthony Johnston
Marion Jones
Tim Jones
Gabriel Josipovici
Pierre-Albert Jourdan
Sophie Judah
Tomoko Kanda
Maarja Kangro
Jana Kantorová-Báliková
Fawzi Karim
Kapka Kassabova
Susan Kelly-DeWitt
Mimi Khalvati
Daniil Kharms
Velimir Khlebnikov
Akhmad hoji Khorazmiy
David Kinloch
John Kinsella
Yudit Kiss
Tomislav Kuzmanović
Andrea Labinger
Charles Lambert
Christopher Lane
Jan Lauwereyns
Fernando Lavandeira
Graeme Lay
Ilias Layios
Hiên-Minh Lê
Mikhail Lermontov
Miriam Levine
Suzanne Jill Levine
Micaela Lewitt
Zhimin Li
Joanne Limburg
Birgit Linder
Pippa Little
Parvin Loloi
Christopher Louvet
Helen Lowe
Ana Lucic
Aonghas MacNeacail
Kona Macphee
Kate Mahony
Sara Maitland
Channah Magori
Vasyl Makhno
Marcelo Maturana Montañez
Stephanie Mayne
Ben Mazer
Harvey Molloy
Osip Mandelstam
Alberto Manguel
Olga Markelova
Laura Marney
Geraldine Maxwell
John McAuliffe
Peter McCarey
John McCullough
Richard McKane
John MacKinven
Cilla McQueen
Edie Meidav
Ernst Meister
Lina Meruane
Jesse Millner
Deborah Moggach
Mawatle J. Mojalefa
Jonathan Morley
César Moro
Helen Mort
Laura Moser
Andrew Motion
Paola Musa
Robin Myers
André Naffis-Sahely
Vivek Narayanan
Bob Natifu
María Negroni
Hernán Neira
Barbra Nightingale
Paschalis Nikolaou
James Norcliffe
Carol Novack
Annakuly Nurmammedov
Joyce Carol Oates
Sunday Enessi Ododo
Obododimma Oha
Michael O'Leary
Antonio Diaz Oliva
Wilson Orhiunu
Maris O'Rourke
Sue Orr
Wendy O'Shea-Meddour
María Claudia Otsubo
Ruth Padel
Ron Padgett
Thalia Pandiri
Judith Dell Panny
Hom Paribag
Lawrence Patchett
Ian Patterson
Georges Perros
Pascale Petit
Aleksandar Petrov
Mario Petrucci
Geoffrey Philp
Toni Piccini
Henning Pieterse
Robert Pinsky
Mark Pirie
David Plante
Nicolás Poblete
Sara Poisson
Clare Pollard
Mori Ponsowy
Wena Poon
Orest Popovych
Jem Poster
Begonya Pozo
Pauline Prior-Pitt
Eugenia Prado Bassi
Ian Probstein
Sheenagh Pugh
Kate Pullinger
Zosimo Quibilan, Jr
Vera V. Radojević
Margaret Ranger
Tessa Ransford
Shruti Rao
Irina Ratushinskaya
Tanyo Ravicz
Richard Reeve
Sue Reidy
Joan Retallack
Laura Richardson
Harry Ricketts
Ron Riddell
Cynthia Rimsky
Loreto Riveiro Alvarez
James Robertson
Peter Robertson
Gonzalo Rojas
Dilys Rose
Gabriel Rosenstock
Jack Ross
Anthony Rudolf
Basant Rungta
Joseph Ryan
Sean Rys
Jostein Sæbøe
André Naffis Sahely
Eurig Salisbury
Fiona Sampson
Polly Samson
Priya Sarukkai Chabria
Maree Scarlett
John Schad
Michael Schmidt
L.E. Scott
Maureen Seaton
Alexis Sellas
Hadaa Sendoo
Chris Serio
Resul Shabani
Bina Shah
Yasir Shah
Daniel Shapiro
Ruth Sharman
Tina Shaw
David Shields
Ana María Shua
Christine Simon
Iain Sinclair
Katri Skala
Carole Smith
Ian C. Smith
Elizabeth Smither
John Stauffer
Jim Stewart
Susan Stewart
Jesper Svenbro
Virgil Suárez
Lars-Håkan Svensson
Sridala Swami
Rebecca Swift
George Szirtes
Chee-Lay Tan
Tugrul Tanyol
José-Flore Tappy
Alejandro Tarrab
Campbell Taylor
John Taylor
Judith Taylor
Petar Tchouhov
Miguel Teruel
John Thieme
Karen Thornber
Tim Tomlinson
Angela Topping
David Trinidad
Kola Tubosun
Nick Vagnoni
Joost Vandecasteele
Jan van Mersbergen
Latika Vasil
Yassen Vassilev
Lawrence Venuti
Lidia Vianu
Dev Virahsawmy
Anthony Vivis
Richard Von Sturmer
Răzvan Voncu
Nasos Vayenas
Mauricio Wacquez
Julie Marie Wade
Alan Wall
Marina Warner
Mia Watkins
Peter Wells
Stanley Wells
Laura Watkinson
Joe Wiinikka-Lydon
Hayden Williams
Edwin Williamson
Ronald V. Wilson
Stephen Wilson
Alison Wong
Leslie Woodard
Elzbieta Wójcik-Leese
Niel Wright
Manolis Xexakis
Xu Xi
Gao Xingjian
Sonja Yelich
Tamar Yoseloff
Augustus Young
Soltobay Zaripbekov
Karen Zelas
Alan Ziegler
Ariel Zinder

 

President, Publisher & Founding Editor:
Peter Robertson
Vice-President: Glenna Luschei
Vice-President: Sari Nusseibeh
Vice-President: Elena Poniatowska
London Editor/Senior Editor-at-Large: Geraldine Maxwell
New York Editor/Senior Editor-at-Large: Meena Alexander
Washington D.C. Editor/Senior
Editor-at-Large:
Laura Moser
Argentine Editor: Yamila Musa
Deputy Editor: Allen Hibbard
Deputy Editor: Jerónimo Mohar Volkow
Deputy Editor: Bina Shah
Advisory Consultant: Jill Dawson
General Editor: Beatriz Hausner
General Editor: Malvina Segui
Art Editor: Lara Alcantara-Lansberg
Art Editor: Calum Colvin
Deputy General Editor: Jeff Barry

Consulting Editors
Shanta Acharya
Marjorie Agosín
Daniel Albright
Meena Alexander
Maria Teresa Andruetto
Frank Ankersmit
Rosemary Ashton
Reza Aslan
Leonard Barkan
Michael Barry
Shadi Bartsch
Thomas Bartscherer
Susan Bassnett
Gillian Beer
David Bellos
Richard Berengarten
Charles Bernstein
Sujata Bhatt
Mario Biagioli
Jean Boase-Beier
Elleke Boehmer
Eavan Boland
Stephen Booth
Alain de Botton
Carmen Boullossa
Rachel Bowlby
Svetlana Boym
Peter Brooks
Marina Brownlee
Roberto Brodsky
Carmen Bugan
Jenni Calder
Stanley Cavell
Hollis Clayson
Sarah Churchwell
Marcelo Cohen
Kristina Cordero
Drucilla Cornell
Junot Díaz
André Dombrowski
Denis Donoghue
Ariel Dorfman
Rita Dove
Denise Duhamel
Klaus Ebner
Robert Elsie
Stefano Evangelista
Orlando Figes
Tibor Fischer
Shelley Fisher Fishkin
Peter France
Nancy Fraser
Maureen Freely
Michael Fried
Marjorie Garber
Anne Garréta
Marilyn Gaull
Zulfikar Ghose
Paul Giles
Lydia Goehr
Vasco Graça Moura
A. C. Grayling
Stephen Greenblatt
Lavinia Greenlaw
Lawrence Grossberg
Edith Grossman
Elizabeth Grosz
Boris Groys
David Harsent
Benjamin Harshav
Geoffrey Hartman
François Hartog
Molly Haskell
Selina Hastings
Beatriz Hausner
Valerie Henitiuk
Kathryn Hughes
Aamer Hussein
Djelal Kadir
Kapka Kassabova
John Kelly
Martin Kern
Mimi Khalvati
Joseph Koerner
Annette Kolodny
Julia Kristeva
George Landow
Chang-Rae Lee
Mabel Lee
Linda Leith
Suzanne Jill Levine
Lydia Liu
Margot Livesey
Julia Lovell
Thomas Luschei
Willy Maley
Alberto Manguel
Ben Marcus
Paul Mariani
Marina Mayoral
Richard McCabe
Campbell McGrath
Jamie McKendrick
Edie Meidav
Jack Miles
Toril Moi
Susana Moore
Laura Mulvey
Azar Nafisi
Martha Nussbaum
Tim Parks
Clare Pettitt
Caryl Phillips
Robert Pinsky
Elizabeth Powers
Elizabeth Prettejohn
Martin Puchner
Kate Pullinger
Paula Rabinowitz
Rajeswari Sunder Rajan
James Richardson
François Rigolot
Geoffrey Robertson
Ritchie Robertson
Avital Ronell
Carla Sassi
Michael Scammell
Celeste Schenck
Daniel Shapiro
Sudeep Sen
Hadaa Sendoo
Miranda Seymour
Daniel Shapiro
Mimi Sheller
Elaine Showalter
Penelope Shuttle
Werner Sollors
Frances Spalding
Gayatri Chakravorty Spivak
Julian Stallabrass
Susan Stewart
Rebecca Stott
Mark Strand
Kathryn Sutherland
John Whittier Treat
David Treuer
David Trinidad
Marjorie Trusted
Lidia Vianu
Victor Vitanza
Marina Warner
David Wellbery
Edwin Williamson
Michael Wood
Theodore Zeldin

Assistant Editor: Sara Besserman
Assistant Editor: Ana de Biase
Assistant Editor: Conor Bracken
Assistant Editor: Eugenio Conchez
Assistant Editor: Patricia Delmar
Assistant Editor: Lucila Gallino
Assistant Editor: Sophie Lewis
Assistant Editor: Krista Oehlke
Assistant Editor: Siska Rappé
Assistant Editor: Naomi Schub
Assistant Editor: Stephanie Smith
Assistant Editor: Emily Starks
Assistant Editor: Robert Toperter
Assistant Editor: Laurence Webb
Art Consultant: Verónica Barbatano
Art Consultant: Angie Roytgolz


Interlitq is archived by Columbia University Libraries Web Resources Collection


Interlitq has acted as a collaborating institution of Americas Society in New York, founded by David Rockefeller in 1965


Interlitq is archived by the German National Library of Science and Technology (Technische Informationsbibliothek (TIB))


Interlitq is archived by Oxford University's ARCH Project


Interlitq is a collaborating institution of the Literary Translators' Association of Canada (ATTLC/LTAC)

 



The Power of Prose:
For As Long As We Live: Nine Narratives by Peter Robertson
 

 



Part Five: Love, Hate

Let me make it clear that I am not a drunkard, or even a heavy drinker, and that any attempt to portray me as one or the other is nothing less than a vicious, and baseless, attack on my good name.

And I trust that there will be no doubt in the mind of any who might seek to slander me that, if rendered the object of a verbal assault, I will not only stand up for myself, but that I will, indeed, stand up by myself, if perhaps a little shakily, crossing the room in a straight line, if not by the most stringent of standards, to confront my foul-mouthed foe.

I will ask my detractor if, after a day’s work, more often than not grueling in nature, I do not have the right to indulge my craving for a few glasses of wine, say a heady red or an aromatic white.

And as my antagonist splutters some half-baked excuse, pleading that their judgemental gaze was aimed not at me, but at a whisky-sodden lost soul sitting behind me, in silence I rehearse the phrase that I will not be lied to, but relent to invite my new-found, and forgiven, friend to a bottle or two, as the evening, still tinged with sunlight, has scarcely begun.

You, Stella, with your sheepish grin, bobbed hair, and sturdy build, open up to tell me that you are forty-one, and divorced, and by now the sole owner of an end-of-terrace house in a nondescript suburb of London, in a land where lace curtains conceal a cesspit of dubious antics, with some all too near the bone, and then you go on to say that you cannot stand your temporary job as a legal secretary, with each hired hour given more grudgingly than the one before, but that you are hopeful of being offered, and before too long, a better post, with a higher salary, by the same firm.

The free flow of her frankness by now unchecked, Stella divulged that, transcending any sea change between nine and five, after years of being bogged down in a swamp of her own making, she felt closer than ever to a rebirth.

That early autumn, shielded in our snug haven from the bracing wind outside that heralded many colder days to come, but that still had the power to force many a day-worker, eager for home, into an ever-brisker walk, Stella took her cue from me to sip her chilled wine, perhaps more than candor or trust the mainspring of the words that she confided to me.

Holding forth, Stella disclosed that while she was of the view that Steve, her ex-husband, had more often than not been selfish, not all of the blame for the break-up of their marriage could be laid at the door of his ego, as she too had not been free from fault: her bouts of moodiness; her fits of jealous rage; and her low libido, though any lack of passion on her part was to be explained not so much by a fear of intimacy as by her former spouse’s clumsy love-making and poor personal hygiene.

She could not begin to understand how her love for Steve had festered into hate, and not some random, short-lived feeling, but a loathing, bottomless and endless, for the whole of his being, and that would have made her rejoice had she awakened to find him a corpse, lying in bed beside her.

Later she would joke that, day in, day out, she had often wished him the most painful of deaths, but that she had restrained herself from pouring bleach into his staple bowl of health-giving soup.

In the end, she had been saved from temptation, and a long prison sentence, by Steve’s tongue-tied admission that for the last six months he had been more than just friends with Deborah, a nineteen-year-old trainee in a shopping mall beauty parlor, and by his insistence that, no matter how much his scorned wife might protest, he had resolved to set up home with his fresh-faced lover.

Turning down my offer of one more glass as, mindful that she had been late on the previous two occasions, she would have to rush off to her evening photography class at a Further Education College down the street, but that the following Thursday she would be sure to accept my offer, Stella recounted that, forced to be brief, right up until Phil’s appearance, life had dashed her dreams, and that Steve's departure had induced in her a crisis that no number of mellow soundtracks, jasmine bubble baths, or Chinese takeaways, with extra ginger and not so much chili, could begin to assuage.

Not that I was ever to find out the full extent of the transformation that Phil had effected in her life, as the Thursday in question, Stella was not there, and nor on any of the other days that I made my way to the same bar, hopeful, but in vain, that yet more words entrusted to me would lay the ground for a friendship that would endure.

Back in Argentina, to which, in the pursuit of a romantic quest, I had transplanted a goodly part of my life and where, for all the hairpin bends of daily existence, an azure sky for the most part reigned supreme, I would while away the afternoons, wondering whether, in her search for love, Stella had routed the demons of hatred that lurk in every human soul.

Or were love and hate as much a part of each other as the Indian curry, replete with wholesome ingredients, that she prepared for Phil, and the minute traces of arsenic that she might well be adding, on a regular basis, to her signature dish?

But whether my worst fears were fanciful or well-founded, I could not banish thoughts of this virtual stranger from my mind, on occasions picturing her holed up in some cell with barred windows, and on others conjuring up images of her savoring her chilled Chardonnay at a candlelit dinner, although not on day release, as not a moment’s freedom would be granted to a cold-blooded murderess.

As for Amalia, keen to take her English to ever-greater heights, and one of the students I took on once back in Buenos Aires, she was, she maintained, a dab hand in the kitchen but, apart from a pinch of Himalayan salt and a sprinkling of Cayenne pepper, she strove to ensure that her creations retained their natural flavors.

The dishes that had met with the greatest success were her chicken and mushroom pie and her lemon cheesecake, and she told me that, before too long, she would invite me, along with some of her friends, to dinner at her rambling home.

An only child, at the age of twenty-seven, she had inherited the fourteen-room villa, with its extensive garden, from her parents, both of whom had been killed outright when a blinding storm, that came out of nowhere, had propelled their four-by-four into the wrong lane.

An orphan of considerable means, two months after the funerals, Amalia left for London and, enrolling in a number of English courses, she could hold her own in even the most challenging of conversations.

We had arranged to meet at a small, somewhat faded, café and, the better to enjoy the balmy evening, we sat outside, forced to raise our voices when the din of the street drowned out our hushed tones.

It was not that I fancied myself a shrink but, as Amalia nibbled unenthusiastically at her cheese sandwich, I proposed, so as to get to know her better, that she range over those things that she loved, and those that she hated.

Rising to my challenge, she confessed that nothing exceeded her aversion to bats, and so I would run no risk, when invited to dinner, of finding bat soup on the menu, and then she reeled off a litany of hatred that appeared to know no end:

Rome in the summer, Paris in the winter, pickled gherkins, all kinds of seafood, any dish with celery, all garments that revealed too much of a cleavage, wardrobes that smelt of mothballs, women who pouted and men with reedy voices, the raucous sound of brass bands, the sorrowful strains of the accordion, the cruel remembrance of Wednesday afternoons, the unsettling scent of honeysuckle.

An?, finally, she unleashed,

“And I hate you.”

“But why do you hate me?”

Erupting into gales of laughter, she screeched,

“Of course I didn’t say that I hate you. What I said is that I hate youth.”

As her lips curled upwards in a wistful smile, I could not help but notice the faintest suggestion of crow’s feet that framed her vexed eyes.

“And why do you hate youth?”

“Because I feel that it has deserted me.”

For all my assurances that time had made no inroads into her beauty, she swept aside my drift and, having settled the bill, exclaimed,

“I’ll be off, before you try to ferret out my loves, all of which turned sour: those days with Marcos, walking hand-in-hand through the lavender fields of Provence, and I agog with desire, but back on home soil he dumped me; Juan, who smelt alluringly of licorice but who, going all pious, left me to join the priesthood; my parents who just a moment before their doom, might well have been singing some tender duet, the wind caressing their hair.”

Her outrage trouncing her regrets, she seethed,

“And why am I wasting a second on you, a quack counselor at best, and at worst a sadist, jabbing his fingers into my open wounds? Just so you know, this is our last class. Tomorrow I leave to live in the States. As for that dinner, I’ll have to be your long-term debtor.”

Placing my fee on the table, and planting a travesty of a kiss on my left cheek, she was, in no time, swallowed up by the night.

Sitting there alone, I was pained by my awareness that I had caused her distress with a mere parlor game.

Of course, were Amalia to find herself strolling down the streets of Los Angeles or New York, lapping up a foreign tongue from every nook and cranny of her new home, she would have no need for me, but I suspected that her version of events was an elaborate hoax, and that she would continue to sit, without giving me another moment’s thought, within the confines of her walled garden.

Whatever the truth, in a bid to steady my wayward thoughts, I ordered my first drink, but no sooner had I raised the glass to my lips than a car drew up to the kerb and, getting out of his vehicle, a man as low-slung as a slug asked me if I knew the way to a certain elusive restaurant.

Pointing towards a gaudy frontage, I said that I did, and that I had eaten there many times, until the establishment had changed hands and, in a day, the steak, once so succulent, had been served up dry and tough, and those longed-for gems of chips brought to the table soggy and tasteless.

His voice, charged with emotion, seemed close to breaking as he implored,

“Don't tell me that their creamy mashed potatoes are no more.”

To let him down lightly, I replied,

“There’s another place down the road that does a great line in all vegetables,” but, far from thanking me for my advice and moving on, he sat down to face me, hurling at me words that at first I was sure I must have misheard,

“Are you an alcoholic?”

“What did you say?”

“I’m sure you heard me, but I’ll ask again. Are you an alcoholic?”

“What makes you ask me that?“

“I’ve a sixth sense when it comes to drunks.”

Straining to make out the specks of eyes in the tiny blob of self-righteousness before me, I aimed to cut him down to size with,

“Your radar is having an off day then, as this is my first drink.”

“But how many did you have at home, on the sly, before you got here?” he fired with such defiance that I was taken aback by his sudden air of deflation as, his insect’s wings of shoulders slumping, he came clean.

“It’s that first shot, that leads to all the others, that has been my downfall, an addiction that has lost me not only the devotion of my wife who treats me these days with ridicule, but also the affection of my children who have come to regard me with utter contempt.

As for myself, I have never been true to my feelings, alien to me as they lay in cold storage, with drink my illusory source of warmth.

I don’t have long, and so I have returned to the haunts of my youth, to search for the key that will open my freezer door.”

In a pang of pity, I touched his thread-like arm but, far from being consoled, he hissed,

“And I have the bad luck to run into a fellow-drunk like you.”

Torn between a spit and a kiss, I could offer nothing more than their twisted fusion in a tell-tale grimace.

He snarled,

“Why the hell give me that dirty look?”

Grabbing his hillock of a head, I threw him into the path of the oncoming traffic, and hollered,

“Just die!”

But I did kneel down to wipe the sweat from his brow, before standing up, and walking away, to my mind at least, in a straight line.



Part One: Plummeting Like Lead
Part Two: The Tree
Part Three: The New World
Part Four: The Cricket

"The Power of Prose"